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                <text>Gwara handlist #21</text>
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              <text>Recto Translation: Psalm 24:4-7 He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully. He shall receive the blessing from the Lord, and righteousness from the God of his salvation. THis is the generation of them that seek him, that seek thy face O Jacob. Lift up your heads, O ye gates; and be ye lift up, ye everylasting doors; and shall come in... Verso Translation: Psalm 24:7-10 ...the King of Glory. Who is this King of glory? The Lord strong and mighty, the Lord mighty in battle. Lift up your heads, O ye gates; even lift them up, ye everlasting doors; and the King of glory shall come in. Who is this King of glory? The Lord of hosts, he is the King of glory. GLory to the father.&amp;nbsp; &lt;em&gt;Antiphon&lt;/em&gt;:&amp;nbsp; Blessed art thou among women, and blessed be the fruit of thy womb.</text>
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              <text>Recto Transcription: Innocens manibus et mundo corde qui non ac cepit in vano a&lt;em&gt;n&lt;/em&gt;i&lt;em&gt;m&lt;/em&gt;am suam nec iuravit in dolo proxi mo suo &lt;strong&gt;H&lt;/strong&gt;ic accipiet benedictio nem a D&lt;em&gt;omi&lt;/em&gt;no ei m&lt;em&gt;isericord&lt;/em&gt;iam a deo salutari suo &lt;strong&gt;H&lt;/strong&gt;ec est generacio quere&lt;em&gt;n&lt;/em&gt; cium eum querencium faciem dei iacob &lt;strong&gt;A&lt;/strong&gt;ttollite portas princi pes vestra et elevamini porte eternales et introibit&lt;br /&gt;&lt;br /&gt;Verso Transcription:&amp;nbsp; rex glorie &lt;strong&gt;Q&lt;/strong&gt;uis est iste rex glorie dominus fortis et potens dominus potens i&lt;em&gt;n&lt;/em&gt; prelio &lt;strong&gt;A&lt;/strong&gt;ttollite portas princi pes v&lt;em&gt;est&lt;/em&gt;ras et elevamini porte eternales et introibit rex glorie &lt;strong&gt;Q&lt;/strong&gt;uis est iste rex glori dominus virtutum ip&lt;em&gt;s&lt;/em&gt;e est rex glorie &lt;strong&gt;G&lt;/strong&gt;loria patri. &lt;span style="text-decoration: underline;"&gt;A&lt;/span&gt;. Bene dicta tu in mulieribus et bene dictus fructus ventris tui.</text>
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                <text>This illuminated page was made in Flanders in about 1475. The writing is in a single 14-line column, the border on both sides is a firmly-defined rectangle latticed into triangles filled with cinnamon, deep sky blue, and gold which frame simple sprigs of flowers including thistle and violet. Whether this leaf was once part of a specimen set of Ege's &lt;em&gt;Fifty Original Leaves from Medieval Manuscripts&lt;/em&gt; is not known, but it does retain evidence of mounting tape of the kind used by Ege.&amp;nbsp; It was purchased in 2012 on Ebay using a speaking honorarium from the Aldus Society of Columbus, and is donated to the William Howard Doane Library at Denison University in the Society's honor.&amp;nbsp; Denison is already the owner of an Ege manuscript leaf portfolio and so this leaf is now the second from its parent manuscript to be part of its Special Collections.&lt;br /&gt;&lt;br /&gt;The text on the leaft contains most of Psalm 24; it was part of the Hours of the Blessed Virgin intended to be read (in this particular case) upon first waking on a Sunday, Monday or Thursday.&amp;nbsp; The verso side of the leaf ends with an antiphon indicated with red initial A.</text>
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                <text>Donated to Denison University Archives and Special Collections by Dr. Fred Porcheddu-Engel.in March 2013.</text>
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                <text>Item in public domain.  Description by Dr. Fred Porcheddu-Engel.</text>
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                <text>France; Early 14th Century. Latin Text; Angular Gothic Script; Gregorian Notation.&#13;
&#13;
At important festival services such as Christmas and Easter these small hymnals were generally used by the laymen as they walked in procession to the various altars. Much of the material incorporated in the hymnals was based on folk melodies. Hymns, like the other chants of the Church, varied according to their place in the liturgy. Their melodies are frequently distinguished by a refrain which was sung at the beginning and at the end of each stanza.&#13;
&#13;
The initial letter design of this leaf persisted with little or no change for a long period, but the simple pendant spear was used as a distinctive motif for not more than twenty-five years.&#13;
&#13;
The ink for the main text and the notes is a dark grey. A distinctive spear or javelin stands guard along the left margin of one side of the leaf. The vellum is clean and bright, and the red, blue, and white inkwork has been very carefully applied; the gold leaf, too, shows an expert's hand and has survived the centuries beautifully.&#13;
&#13;
Text: Not yet identified.</text>
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                <text>Item in public domain. Description provided by Dr. Fred Porcheddu-Engel via the Otto F. Ege digital collection. &amp;nbsp; &lt;a href="http://ege.denison.edu/denison_leaf_21.php"&gt;http://ege.denison.edu/denison_leaf_21.php&lt;/a&gt;</text>
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              <text>Recto Translation: &#13;
&#13;
[from Luke 1] To illuminate them that sit in darkness, and in the shadow of death: to direct our feet into the way of peace. Give them eternal rest.&#13;
&#13;
[Responses not yet translated.] Prayer.&#13;
&#13;
[Psalms 129] From the depths I have cried...&#13;
&#13;
Verso Translation: [continues Psalms 129] ...to thee O Lord: Lord hear my voice. Let thine ears be attentive: unto the voice of my petition. If thou wilt observe iniquities O Lord: Lord who shall endure it? Because with thee there is pitifulness: and for thy law I have expected thee O Lord. My soul hath stayed in his word: my soul hath hoped in our Lord. From the morning watch even until night: let Israel hope in our Lord. Because with our Lord there is mercy: and with him plentiful redemption. And he shall redeem Israel: from all...</text>
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&#13;
Illuminare his, qui in tenebris et in umbra mortis sedent: ad dirigendos pedes nostros in viam pacis. Requiem aeternam. Ant. Credo domine Jhesu Xriste carnis resurrectionem et vitam eternam [ ] V. In memoria eterna erunt justi. R. Ab auditione mala non tomebunt a porta inferi. R. Erue domine animas eorum. V. Credo videre bona domum. R. [ ] Oratio.&#13;
&#13;
De profundis clamavi&#13;
&#13;
Verso Transcription: ad te Domine, Domine exaudi vocem meam.&#13;
Fiant aures tuae intendentes: in vocem deprecationis meae.&#13;
Si iniquitates observaveris Domine: Domine quis sustinebit?&#13;
Quia apud te propitiatio est: et propter legem tuam sustinui te Domine.&#13;
Sustinuit anima mea in verbo eius: speravit anima mea in Domino.&#13;
A custodia matutina usque ad noctem: speret Israel in Domino.&#13;
Quia apud Dominum misericordia: et copiosa apud eum redemptio.&#13;
Et ipse redimet Israel: ex omnibus</text>
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                <text>E0050 Leaf from a Book of Hours (Horæ Beatæ Mariæ Virginis)</text>
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                <text>France; Early 16th Century. Latin Text; Cursive Gothic Script.&#13;
&#13;
This beautiful manuscript leaf was written and illuminated about the year 1535 A.D. At this late date Books of Hours were also being printed in great numbers by such famous French printers as Vostre, de Colines, and Tory. These were elaborately illustrated and frequenly hand-colored.&#13;
&#13;
The cursive gothic script used in this leaf, with its boldly accented letters and flourished initials, borrowed heavily from the decorative chancery or legal hands of the 13th and 14th centuries. It influenced the type face known as civilité, designed by Granjon, and first used in 1559 A.D. &#13;
&#13;
This is the latest, or most recent, of the 50 leaves in the Ege portfolio. The cursive script is quite distinctive; notice especially the variety of directions and styles of the ascenders. By contrast the large illuminated initials seem very bulky and old-fashioned. Lesser first letters are filled with yellow.&#13;
&#13;
Text: This leaf contains text from the Office for the Dead at Lauds, including Psalms 129.</text>
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                <text>E0049 Leaf from a Missal (Missale)</text>
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                <text>Germany; Early 16th Century. Latin Text; Lettre Bâtarde.&#13;
&#13;
A Missal gives the service of the mass and is used by the clergy. The text is lengthy and in this large script would occupy many hundred pages. One wonders why this particular manuscript copy on vellum was written some forty years after Antonius Zarotus had printed the first Missal in Milan (1471 A.D.), for, at this time, Missals were frequently reprinted on paper and sold at only a fraction of the cost of a manuscript copy. This bâtarde style of semi-gothic script was the molding force for the fraktur and schwabacher type-faces which dominated German printing for several centuries. &#13;
&#13;
This very large leaf demonstrates a high contrast between leaf surface and inks. There is a contents abbreviation in the top center of each recto, possibly a gathering guide (letter + number).&#13;
&#13;
Text: Not yet identified.</text>
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                <text>&lt;em&gt;Fifty Original Leaves from Medieval Manuscripts&lt;/em&gt;</text>
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                <text>Item in public domain. Description provided by Dr. Fred Porcheddu-Engel via the Otto F. Ege digital collection. &lt;a href="http://ege.denison.edu/denison_leaf_49.php"&gt;http://ege.denison.edu/denison_leaf_49.php&lt;/a&gt;</text>
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                <text>Latin</text>
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                <text>Medieval manuscript leaf</text>
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                <text>Denison University Leaf 49, &lt;em&gt;Fifty Original Leaves from Medieval Manuscripts&lt;/em&gt;</text>
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                  <text>Medieval Manuscript Leaves</text>
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                  <text>Denison University Archives &amp; Special Collections holds 72 medieval manuscript leaves that date between **** and ****. Medieval is defined by the time period of ****-****. Manuscript is defined by the object being handwritten rather than printed.  A leaf is defined as being a single page out of a book, also sometimes called a folio.</text>
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              <text>Recto Translation: &#13;
&#13;
Almighty and eternal God. Incline unto my aid O God.&#13;
&#13;
Called it was the Holy Ghost that comfort thus did bring,&#13;
The gift of God, Charity, and the reviving spring,&#13;
The unction spiritual, and eke the fire that flames,&#13;
Sevenfold grace, precious gift, so called by many names.&#13;
&#13;
Ant. Come, O Holy Ghost. [ ] Incline unto my aid O God.&#13;
&#13;
The finger of God's right hand, the ghostly virtue still,&#13;
Us defend, and set us free from every kind of ill:&#13;
To the end the hellish ghost do us no hurtful deed:&#13;
Under his wings he us keep, and there us nurse and feed.&#13;
&#13;
Ant. Come, O Holy Ghost. Almighty and eternal God. Convert us O God our Saviour. [ ]&#13;
&#13;
Verso Translation: &#13;
&#13;
...incline unto my aid. O Lord make haste to help me. Glory to the father and son. As it was in the beginning.&#13;
&#13;
The spirit the comforter assist us by his might: Our steps to direct and guide to clear us with his light: That when God at last shall come to be the judge of all. At his right hand he may please us joyfully to call. These hours Canonical with devotion to thee, And with godly respect O Holy Ghost I did say, That by inspiration visited we may be, In thy heavenly region with thee to live for aye. Ant. God the holy spirit. Almighty and eternal God.&#13;
&#13;
[6 lines left blank.]&#13;
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              <text>Recto Transcription: &#13;
&#13;
Omnipotens semperterne Deus. Deus in adiutorium meum.&#13;
&#13;
Spiritus paraclitus fuit appellatus dominus dei caritas fons vivificatus spiritalis unctio ignis inflammatus. Septiformis gratia carisma vocatus. Ant. Deus sancte spiritus. Omnipotens sempiterne Deus da nobis illam. Deus in adiutorium meum.&#13;
&#13;
Dextre dei digitus virtus spiritalis. Nos deffendat ut eruat ab omnibus malis ut nobis non noceat demon infernalis. Sed protegat foveat nutriat sub alis. Ant. veni sancte spiritus. Omnipotens semperterne Deus. Converte nos Deus salutaris noster et averte iram tuam a nobis. Deus in&#13;
&#13;
Verso Transcription: &#13;
&#13;
adiutorium meum intende. Domine ad adiuuandum meum festina. Gloria patri et filio. Sicut erat in principio.&#13;
&#13;
Spiritus paraclitus nos velit iuvare gressus nostrus regere et illuminare ut cum Deus venerit omnes iudicare nos velit ad dexteram suam appellare. Has horas canonicas cum devotione. Tibi sancte spiritus pia ratione. Dixi ut nos visites inspiratione ut vivamus iugiter celi regione. Ant. Deus sancte spiritus. Omnipotens semperterne Deus&#13;
&#13;
[6 lines left blank.]&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>E0048 Leaf from a Book of Hours (Horæ Beatæ Mariæ Virginis)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Book of Hours</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Netherlands; Late 15th Century. Latin Text; Lettre de Forme. In the 15th century Books of Hours were as much in demand in the Netherlands as they were in France and England. In many of these books it is difficult to distinguish the Dutch Hours from those of Northern France or the Rhineland. In the middle of the century this whole area was interested in naturalism and made its illustrations so vivid that sometimes they approached those of our seed catalogues. It is not difficult to recognize carnations, pansies, columbines, and strawberries. The style later became even more realistic when the naturalistic flowers were painted with cast shadows. When such flowery decorations are found on a rather heavy piece of vellum, entangled with the swirling acanthus leaf and accompanied by a heavy lettre de forme script, one can be fairly safe in assigning the leaf to the province of Brabant. It was a difficult technical achievement at this time to apply the gouache colors to gold leaf so that they would adhere without flaking.&lt;br /&gt;&lt;br /&gt;Compared to the other specimens of fifteenth-century Books of Hours in the portfolios, this one contains highly "itemized" pages: the red ink used for the rubrications sharply contrasts with the brown ink; several 1- or 2-line initials rendered in gold on a background of blue or red bring light into the text block of most leaves; and many lesser first letters are filled with yellow. Despite this lavish plan, all leaves from this manuscript show evidence of problematic adherence of the gold leaf, and/or incomplete decoration or text.&#13;
&lt;p&gt;&lt;strong&gt;Text&lt;/strong&gt;: This leaf contains text from the "short" version of the Hours of the Holy Spirit, from Nones, through Verspers, and Compline, and into the closing "Recommendatione." See &lt;a href="http://www.chd.dk/tutor/HSSpiritu.php"&gt;http://www.chd.dk/tutor/HSSpiritu.php&lt;/a&gt; for more information.&lt;/p&gt;</text>
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                <text>&lt;em&gt;Fifty Original Leaves from Medieval Manuscripts&lt;/em&gt;</text>
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            <name>Date</name>
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                <text>Late 15th century</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Item in public domain.&amp;nbsp;Description provided by Dr. Fred Porcheddu-Engel via the Otto F. Ege digital collection.&amp;nbsp; &lt;a href="http://ege.denison.edu/denison_leaf_48.php"&gt;http://ege.denison.edu/denison_leaf_48.php&lt;/a&gt;</text>
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                <text>300 dpi JPEG; 17.5 x 12.5 cm </text>
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                <text>Latin</text>
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                <text>Medieval manuscript leaf</text>
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                <text>Denison University Leaf 48, &lt;em&gt;Fifty Original Leaves from Medieval Manuscripts&lt;/em&gt;</text>
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                  <text>Medieval Manuscript Leaves</text>
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                  <text>medieval manuscripts</text>
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                  <text>Denison University Archives &amp; Special Collections holds 72 medieval manuscript leaves that date between **** and ****. Medieval is defined by the time period of ****-****. Manuscript is defined by the object being handwritten rather than printed.  A leaf is defined as being a single page out of a book, also sometimes called a folio.</text>
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      <name>Medieval manuscript leaf</name>
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              <text>Recto Translation: &#13;
&#13;
[from Psalms 94] ...and said, they always err in heart: and they have not known my ways, to whom I swear in my wrath, if they shall enter into my rest. The King, unto whom all things do live, come let us adore.&#13;
&#13;
Eternal rest give unto them O Lord: and let perpetual light shine unto them. Come let us adore. The King, unto whom all things do live, Come let us adore. Ant. Direct.&#13;
&#13;
Verso Translation: [from Psalm 94] For the sea is his, and he made it: and his hands founded the dry land: come let us adore, and fall down before God: let us weep before our Lord, that made us: because he is the Lord our God: we are his people, and the sheep of his pasture.&#13;
Hail Mary, full of grace: our Lord is with thee.&#13;
Today if ye shall hear his voice, harden not your hearts, as in the provocation according to the day of temptation ...&#13;
</text>
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          <description>Any written text transcribed from a sound</description>
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            <elementText elementTextId="765">
              <text>Recto Transcription: &#13;
&#13;
et dixi, semper hii errant corde: ipsi vero non cognoverunt vias meas: quibus iuravi in ira mea, si introibunt in requiem meam. Regem, cui omnia vivunt, Venite Adoremus.&#13;
&#13;
Requiem eternam dona eis Domine: et lux perpetua luceat eis. Venite adoremus. Regem, cui omnia vivunt, Venite adoremus. Ant. Dirige.&#13;
&#13;
Verso Transcription: Quoniam ipsius est mare, et ipse fecit illud: et aridam fundaverunt manus eius: venite adoremus, et procidamus ante Deum: ploremus coram Domino, qui fecit nos: quia ipse est Dominus Deus noster:nos autem populus eius, et oves pascuae eius.&#13;
Ave Maria, gratia plena: Dominus tecum.&#13;
Hodie si vocem eius audieritis, nolite obdurare corda vestra, sicut in exacerbatione secundum diem ten-</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="625">
                <text>E0047 Leaf from a Book of Hours (Horæ Beatæ Mariæ Virginis)</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Book of Hours</text>
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            <description>An account of the resource</description>
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                <text>The Netherlands; Late 15th Century. Latin Text; Angular Gothic Script.&#13;
&#13;
In assigning this leaf from a Book of Hours to the Netherlands it must be remembered that some sections of that country were once part of France, while others belonged to what is now Germany. In this leaf French characteristics predominate, but in no other country did the study of nature have a more direct influence on miniatures and ornamentations that in the Netherlands. Carnations, pansies, columbines, and many other flowers were faultlessly and realistically drawn. A few decades later, at the turn of the century, cast shadows as well as snails, butterflies, and birds were added, with the result that the borders became a distraction to the reader. &#13;
&#13;
The borders on these leaves come in two forms. Some are composed of a firmly-defined rectangle filled to its edge with solid color (dominated by cinnamon, deep sky blue, and gold) rendered in a decorative conceit (triangles, waves, bars) and framing simple flower sprigs. Other borders are less boldly outlined and are not filled with solid colors; instead, a speckled background hosts a strong acanthus vine and a wildflower spray in which a live creature (a bird, a human, a zoomorph) may lurk. While this leaf may have been created in the Netherlands, its rubricated headings are in French.&#13;
&#13;
Text: This leaf contains the introductory section of the Office for the Dead at Matins.</text>
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                <text>&lt;em&gt;Fifty Original Leaves from Medieval Manuscripts&lt;/em&gt;</text>
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                <text>Item in public domain. Description provided by Dr. Fred Porcheddu-Engel via the Otto F. Ege digital collection. &lt;a href="http://ege.denison.edu/denison_leaf_47.php"&gt;http://ege.denison.edu/denison_leaf_47.php&lt;/a&gt;</text>
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