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                <text>"Johanna Drucker, The Next Word: ""The pages of [High Tension] are cut at the edge in that triangular shape. It's about anxiety, and it pricks your fingers as you turn the pages."" Renee Riese Hubert &amp;amp; Judd D. Hubert, The Cutting Edge of Reading: Artists' Books: ""[High Tension] overwhelms us with a surprisingly varied profusion of images. Each of the many double pages introduces at least one radically new picture having more often than not merely a marginal relationship with those that had preceded. We must process these words somewhat gingerly in terms of our own past experiences when immediate recognition fails. It would therefore appear that unpredictability characterizes the selection and succession of the graphics. Each new image has its own motif and its own color scheme. Dealing in its own way with representation, it imposes its own focus and its own scale to which the reader must adapt. Thus, each turning of a page practically guarantees a further disruption and reduces any hope that we may have entertained of discovering either a formal or a thematic continuity. Instead, it calls forth unsuspected resources within us. Surprise follows surprise without affording a moment of relaxation. Each page relentlessly renews the shock of novelty, but in so titillating a manner that we must dwell on each image without any desire to skip. The artist has of course abandoned or deliberately misapplied expected formats. The pages may overlap, but they never coincide with one another. Deviation happens on two levels: each page slants diagonally and, when turned, symmetrically prolongs across the gutter the preceding one. Thus, two successive pages point in opposite directions while jointly providing a partially coherent and integrated image — partially, because fragments of images from other double pages show a propensity to migrate or, if we may use a medical term in describing a pictorial and psychological venture, metastasize. As we move along, we can hardly avoid twisting and turning the book around for successive viewings of the double paged pictures. Obviously, we can no longer rely on the measured progress so characteristic of reading. Moreover, the angularity of the pages greatly increases the nervous energy of their graphic and verbal content. ...""&lt;a href="http://www.vampandtramp.com/finepress/s/spaceheater-editions.html"&gt; http://www.vampandtramp.com/finepress/s/spaceheater-editions.html&lt;/a&gt;"</text>
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                <text>"5.5 x 7.9""; 96 pages. Pentagon with 4"" spine and each of the other sides 4.25"". Unmatched irregularly cut pages. Offset printed.&#13;
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Denison's copy is signed by the artist."</text>
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                <text>In 1854 the "Great White Chief" in Washington made an offer for a large area of Indianland and promised a reservation for the Indian People. Chief Seattle (1786 - 1866) counseled for peace. This bookwork contains excerpts from Seattle's speech regarding the treaty that would have the Indian lands controlled by the government. Prospectus: "This is a wonderful sampler of Dave Wood's unique style and versatility of lettering and was one of three handmade books he completed in 1990 to gain his Fellowship to the Society of Scribes &amp;amp; Illuminators in London." &lt;a href="http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf"&gt;http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3458">
                <text>Body Transmission Towers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3459">
                <text>Studio Arts</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3460">
                <text>Body Transmission Towers began during my residency at Struts &amp; Faucet. Driving into Sackville from Nova Scotia on the first day of the residency, I immediately felt the loss of the Radio Canada International shortwave towers. I had become accustomed to them as an anchoring feature signalling arrival into Sackville. The towers were removed in March 2014, after 67 years of service. I was struck by how their memory was visual yet also felt - a way of orienting the body in relation to space. I thought of the body as its own transmission site, where emotion and memory are projected outwards, always holding us in subjective relation to a space. In this case, I thought of thirteen bodies acting as their own transmission vessels. The body transmitting memory back to the RCI site. I ran ads asking for people to drive (or walk) with me to their most remembered spot for viewing the RCI towers. Quickly, I had many volunteers. Some had worked at RCI Sackville, others had lived around the area for much, or all, of their lives. I enjoyed the drives and conversations with all those who participated. Thank you. Many thanks to the fine folks (Amanda, Elliott, Cynthia) at Struts &amp; Faucet and the good people of Sackville. - Sheila Wilson, May 2014 (from envelope containing the postcards)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3461">
                <text>Wilson, Sheilah</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3462">
                <text>The Artist</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3463">
                <text>2014</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3464">
                <text>Scope from Sheilah Wilson &lt;a href="http://sheilahwilson.com/2014-2/body-transmission-tower.html"&gt;http://sheilahwilson.com/2014-2/body-transmission-tower.html&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3465">
                <text>"13 postcards: color illustrations; 11 x 16 cm.&#13;
&#13;
Artist multiple, set of 13 full-colour postcards with English text on verso, packaged in a custom-printed folded envelope."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3466">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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