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                    <text>The cover of Artist's Book Faith Medicine</text>
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                <text>"Letterpress printed recipe cards. Laid in stiff cover with velcro closure. Contains one glass vial of an ""elixir"" of various herbs and spices in colored water. Each recipe card has an herbal recipe on one side with an associated memory of the artist's father on the other side. Jamie Weaver: ""After recently attending the Mildred Haun Conference on Appalachian Studies, I became intrigued by a presentation on traditional homemade folk remedies. This triggered childhood memories of rambling through the woods with my father on our West Virginia farm to dig ginseng and sassafras roots for making tea. Now that my father is gone, I attempt here to acquaint myself with homemade folk remedies as a way of reconstructing memories of my father and healing my grief over his untimely death. Everyone has faith in something: a higher power, the human spirit, a cure. In Faith Medicine, I wrestle with the following questions: To what extent can a remedy truly heal us? Is it less painful to hold on to memories, or to purge them from our system? I think that if something heals us, it is largely because we choose to believe that it does."" Each recipe card has an herbal recipe on one side with an associated memory of the artist's father on the other side. Recipe for Flu: Boneset (Eupatorium Perfoliatum) Use 1 1/2 tsp. dried herb (stem, leaves, and flower) for each cup of water. Steep for 15 minutes. Sweeten liberally with honey to counter the bitter taste. Drink 1/2 cup hot tea every hour, at least 5 times a day to relieve symptoms. Memory of her being with her father when she had flu like symptoms: My dad and I took a trip to Hawaii over winter break one year when I was in high school. I felt sick to my stomach after the flight, so I took some Pepto-Bismol once we checked into our hotel. I threw up the Pepto-Bismol on the floor, and the cleaning lady was mad because it was a new hotel and I'd left a bright pink stain on the carpet. &lt;a href="http://www.vampandtramp.com/finepress/w/Jamie-Weaver.html"&gt;http://www.vampandtramp.com/finepress/w/Jamie-Weaver.html&lt;/a&gt;"</text>
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                <text>"20 cards: illustrations; 23 x 15 cm.&#13;
&#13;
Denison's copy is 10 of 15."</text>
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              <text>DEN Spec Coll N7433.4.W437 .R33 2009</text>
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                <text>"This is the second of four 2009 Small Plates editions published by the Imprint of the San Francisco Center for the Book--Colophon. ""Printed on a Vandercook Proof Press by Allison Weiner, Pam DeLuco, Katherine Case, and many other volunteers and staff at SFCB""--Colophon. Signed by artist. SFCB: ""Rabbitpox, written and illustrated by Allison Weiner, casts rabbits as the heroes and the pawns in a tale of biological warfare. The story is inspired by a 2004 Harper's Magazine item describing American scientists as having engineered extra-lethal forms of mousepox, cowpox and, of course, rabbitpox. Allison's book combines text, inventive design, and diagrammatic illustrations with a whole lot of personality to find humor, absurdity, and alarm at the dark extremes of biological science. ""Each book is housed in a handmade box and bound with thread spun by Pam [De Luco] from the fur of her pet rabbit Charisma, a white German Angora who reportedly had a show career. ""Allison [Weiner] is a Bay Area creative who studied at Stanford University, The San Francisco Art Institute, and the California College of the Arts. Rabbitpox is her first artist's book edition. It is Charisma's first foray into book arts as well."" &lt;a href="http://www.vampandtramp.com/finepress/s/sf-center-for-the-book.html"&gt;http://www.vampandtramp.com/finepress/s/sf-center-for-the-book.html&lt;/a&gt;"</text>
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                <text>Weiner, Allison</text>
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                <text>Scope, Physical Description, and Images from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/s/sf-center-for-the-book.html"&gt;http://www.vampandtramp.com/finepress/s/sf-center-for-the-book.html&lt;/a&gt;</text>
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                <text>"20 pages; color illustrations; 10 x 10 cm. 4 x 4 inches; Hand set in Century Schoolbook type. Printed on a Vandercook Proof Press. Housed in a handmade lightweight illustrated card box with flap and tab closure. &lt;a href="http://www.vampandtramp.com/finepress/s/sf-center-for-the-book.html"&gt;http://www.vampandtramp.com/finepress/s/sf-center-for-the-book.html&lt;/a&gt; Denison's copy is no. 23 of limited edition of 100."</text>
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                <text>Studio Arts, Women and Gender Studies</text>
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                <text>"Three inch double-sided round accordion is pasted into the base of the plastic compact. The interior cover of the book is the familiar, beige foam pad used for applying color. Compact is housed in a gold fabric sleeve (three inches square) with printed title. Minion type on Strathmore paper. Hand colored pictures of women applying blush and tweezing, a heavily made-up face, and a tabletop array of cosmetics.&#13;
&#13;
This small book housed in a mirrored compact expresses Woman's ambivalent relationship with cosmetics as both agent of transformation and of potential denial and constraint. Brief reminiscences of Charm School and of one sister tweezing another's eyebrows depict make-up's function as a rite of passage for girls, a chance to choose their own personas, what faces they will wear in the world. Make-up is part of the private language of women, a modern day initiation which we embrace or reject. As you read, peer over the top of the book into the mirrored lid at your own natural or made-up image and reflect on your choice."</text>
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                <text>Weisbrot, Marcia</text>
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Denison's copy is number 53 of 150 and is signed by author."</text>
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                <text>Body Transmission Towers began during my residency at Struts &amp; Faucet. Driving into Sackville from Nova Scotia on the first day of the residency, I immediately felt the loss of the Radio Canada International shortwave towers. I had become accustomed to them as an anchoring feature signalling arrival into Sackville. The towers were removed in March 2014, after 67 years of service. I was struck by how their memory was visual yet also felt - a way of orienting the body in relation to space. I thought of the body as its own transmission site, where emotion and memory are projected outwards, always holding us in subjective relation to a space. In this case, I thought of thirteen bodies acting as their own transmission vessels. The body transmitting memory back to the RCI site. I ran ads asking for people to drive (or walk) with me to their most remembered spot for viewing the RCI towers. Quickly, I had many volunteers. Some had worked at RCI Sackville, others had lived around the area for much, or all, of their lives. I enjoyed the drives and conversations with all those who participated. Thank you. Many thanks to the fine folks (Amanda, Elliott, Cynthia) at Struts &amp; Faucet and the good people of Sackville. - Sheila Wilson, May 2014 (from envelope containing the postcards)</text>
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Artist multiple, set of 13 full-colour postcards with English text on verso, packaged in a custom-printed folded envelope."</text>
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                <text>In 1854 the "Great White Chief" in Washington made an offer for a large area of Indianland and promised a reservation for the Indian People. Chief Seattle (1786 - 1866) counseled for peace. This bookwork contains excerpts from Seattle's speech regarding the treaty that would have the Indian lands controlled by the government. Prospectus: "This is a wonderful sampler of Dave Wood's unique style and versatility of lettering and was one of three handmade books he completed in 1990 to gain his Fellowship to the Society of Scribes &amp;amp; Illuminators in London." &lt;a href="http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf"&gt;http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf&lt;/a&gt;</text>
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                <text>"6 x 2;"" 38 unnumbered pages. Concertina style book. Printed on archival 195 gsm rag paper with archival pigment inks. Pages creased and folded by hand. Artwork hand finished with gold foil and schlag. Bound in Australian wood with 4.5"" wide paper band closure. This is the editioned work of the original one-of-a-kind of the same title. &lt;a href="http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf"&gt;http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf&lt;/a&gt; Signed by author. Limited edition of 100. Denison's copy is 9 of 100."</text>
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                <text>"Nanette Wylde: ""Compass takes form as a flexagon, which is an unfolding book structure. On each of the four faces is a cardinal direction, layered with an image of a compass rose, and a compass-based quote from a significant historical artist. ""Compass was created for ""earth/science/art,"" an exhibition conceptualized by Lisa Hochstein based on collaborative pairings of USGS scientists from the Pacific Science Center in Santa Cruz, California, and Bay Area artists. I was paired with coastal geologist and mapmaker Ann Gibbs."" Quotations from William Blake, Leonardo da Vinci, Vincent van Gogh, Michelangelo. Conscience is a man's compass ~Van Gogh Nanette Wylde, earth*science*art www.earthscienceartsc.com : ""When Ann Gibbs and I met she told me she was a mapmaker. I am a lifelong fan of maps in all of their many forms so this totally delighted me. I even distinctly remember learning to read and make maps in elementary school. It was serendipity that I had given a group of my students a conceptual focus of mapping and cartography this term. So maps, mapping and mapmaking have been in my mind these past three months. ""Ann was very generous in sharing imagery, notes and text from her research—so much so that it was daunting to know where to start. Her photographs of the Alaskan coastline were so beautiful and mesmerizing in themselves that I didn’t feel I could touch them. ""I am currently working on three projects for earth•science•art. The first and almost completed is 'Compass.' This work is being realized as a flexagon, which is a folding—or perhaps an unfolding—book structure. On each of the four faces is a cardinal direction, layered with an image of a compass rose, and a compass-based quote."" &lt;a href="http://www.vampandtramp.com/finepress/h/Hunger-Button-Books.html"&gt;http://www.vampandtramp.com/finepress/h/Hunger-Button-Books.html&lt;/a&gt;"</text>
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                    <text>Artist's Book Ōmizuao z-fold spread out</text>
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              <text>DEN Spec Coll Oversize TR646.J3 Y366 2003</text>
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              <text>&lt;a href="https://primo.denison.edu/permalink/01OHIOLINK_DENISON/1jlgpk8/alma991035749529708509"&gt;https://primo.denison.edu/permalink/01OHIOLINK_DENISON/1jlgpk8/alma991035749529708509&lt;/a&gt;</text>
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                <text>Ōmizuao</text>
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                <text>Limited to 1,000 copies--Colophon. Issued in hardwood box (5 x 11 x 31 cm.). "Omizuao is an accordion-bound "pillow book"--a collection of landscapes, flowers and female nudes. The artist has used the accordion-bound format to create an installation which measures some 14 feet when fully opened, but which can also be viewed as 45 individual spreads ... hand bound in two clear-lacquered hardwood covers, and presented in a matching wooden box."--Publisher's blurb</text>
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                <text>Yamamoto, Masao</text>
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                <text>Nazraeli Press</text>
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                <text>1 v. : chiefly ill. ; 29 x 425 cm., folded to 29 x 8.5 cm</text>
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