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                <text> 17 unnumbered leaves : color illustrations ; 14 cm, in box (10 x 15 x 15 cm) + 1 folded sheet (10 x 12 x 12 cm), 1 sheet (13 cm) Denison's copy is signed by artist and is no. 15 of 25&#13;
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                <text>Offset lithography on paper; book cloth on millboard. Printed on Gmund Bier paper made of recycled beer labels, pulp and beer fibers (hops, malt and yeast).&#13;
&#13;
Looks at the way we choose to deny our own realities through alcoholism, an addiction that perpetually allows us to disavow our difficulties with the world as we find it. The book reflects the never-ending cycle that is characteristic of any addiction, as the addict continually attempts to grapple with a reality which is uncomfortable and intolerable. What is favored by the addict is a short-term solution to long-term psychological discomfort at the expense of living in reality and working though the reality’s unpleasant aspects. The result is a repetitive reliance on a diction that controls and restricts what we perceive and feel as real. The book utilizes the page shape of a pint glass, and by doing this, the angled unfolding of the book’s monologue creates a full circle when open that carries the visual and structural metaphor of the cycle of addiction. </text>
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                <text>Weston, Heather</text>
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            <name>Date</name>
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                <text>2004</text>
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          <element elementId="47">
            <name>Rights</name>
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                <text>Description from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/w/weston.html"&gt;http://www.vampandtramp.com/finepress/w/weston.html&lt;/a&gt;</text>
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                <text>30 unnumbered pages ; 15 cm&#13;
Denison's copy is signed by artist and is no. 86</text>
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                <text>English</text>
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                    <text>Cover box of the Artist's Book Stories Behind Bars</text>
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              <text>DEN Spec Coll          N7433.4.W557 S76 2010</text>
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              <text>&lt;a href="https://primo.denison.edu/permalink/01OHIOLINK_DENISON/1jlgpk8/alma991050375299708509"&gt;https://primo.denison.edu/permalink/01OHIOLINK_DENISON/1jlgpk8/alma991050375299708509&lt;/a&gt;</text>
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                <text>Stories Behind Bars</text>
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                <text>Political Science, History, Latin American and Caribbean Studies, Studio Arts</text>
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                <text>8.5 x 10.25"; 64 pages. Silkscreen printed on Stonehenge warm white and Dur-O-Tone. Four pamphlets, 16 pages each. Housed in a cloth covered slipcase with cutout like a jail's barred window. Women's Studio Workshop: "Stories Behind Bars was inspired by the author's job as a Spanish interpreter in the US courts. It consists of four individually bound silkscreen printed booklets: in one, a young man is deported using video teleconferencing, another gives some brief history of immigration detention, and all tell stories of immigrants in U.S. prisons and jails. The stories give the reader an insight into the complex issues surrounding the immigration debate." - See more at: &lt;a href="http://www.vampandtramp.com/finepress/w/womensstudio.html#sthash.RZXWMZqq.dpuf"&gt;http://www.vampandtramp.com/finepress/w/womensstudio.html#sthash.RZXWMZqq.dpuf&lt;/a&gt;</text>
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                <text>Wilson, Tona</text>
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                <text>Womens' Studio Workshop</text>
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                <text>2010</text>
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                <text>Description from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/w/womensstudio.html#sthash.RZXWMZqq.dpuf"&gt;http://www.vampandtramp.com/finepress/w/womensstudio.html#sthash.RZXWMZqq.dpuf&lt;/a&gt;</text>
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                <text> 4 volumes : color illustrations ; 25 cm, in a slipcase measuring 27 cm&#13;
Denison's copy is no. 3 of 50 and is signed by the artist</text>
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