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                <text>In 1854 the "Great White Chief" in Washington made an offer for a large area of Indianland and promised a reservation for the Indian People. Chief Seattle (1786 - 1866) counseled for peace. This bookwork contains excerpts from Seattle's speech regarding the treaty that would have the Indian lands controlled by the government. Prospectus: "This is a wonderful sampler of Dave Wood's unique style and versatility of lettering and was one of three handmade books he completed in 1990 to gain his Fellowship to the Society of Scribes &amp;amp; Illuminators in London." &lt;a href="http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf"&gt;http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf&lt;/a&gt;</text>
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                <text>"6 x 2;"" 38 unnumbered pages. Concertina style book. Printed on archival 195 gsm rag paper with archival pigment inks. Pages creased and folded by hand. Artwork hand finished with gold foil and schlag. Bound in Australian wood with 4.5"" wide paper band closure. This is the editioned work of the original one-of-a-kind of the same title. &lt;a href="http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf"&gt;http://www.vampandtramp.com/finepress/w/dave-wood.html#sthash.cxKuWboK.dpuf&lt;/a&gt; Signed by author. Limited edition of 100. Denison's copy is 9 of 100."</text>
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                <text>"The residue of a moment experienced by someone other than yourself now a constituent part of a consciousness that has no capacity to forget yet remembers very little is the complete title for this artists' book by Jason Workman. The content consists of photographs documenting a number of public interventions in New York and Melbourne, Australia. Two texts were written on paper and pomegranates respectively, and inserted into public spaces. Jason Workman, artist statement: ""My practice is concerned with introducing gestures, texts, and objects into public space. I am interested in the subtle intersection of these minimal and quiet interventions within the flux of everyday life. I refrain from differentiating 'art-practice' from the 'practice-of-living.' To this end, I have created interventions in my workplace, in retail spaces, on trains, in parks, on the sidewalk. etc. The interventions are poetic, ephemeral and often of a diminutive scale; therefore, they may be noticed by only a few people. If the work elicits a smile, a pause, a moment of disorientation in a small number of people, I consider this worthwhile. Essentially, this type of practice is intuitive and exploratory. It seeks opportunities in which to playfully engage with aspects of our everyday reality."" &lt;a href="http://www.vampandtramp.com/finepress/e/everyday-press.html"&gt;http://www.vampandtramp.com/finepress/e/everyday-press.html&lt;/a&gt;"</text>
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                <text>Scope and Images from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/e/everyday-press.html"&gt;http://www.vampandtramp.com/finepress/e/everyday-press.html&lt;/a&gt;</text>
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&#13;
Denison's copy is 9 of 100."</text>
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                <text>"Nanette Wylde: ""Compass takes form as a flexagon, which is an unfolding book structure. On each of the four faces is a cardinal direction, layered with an image of a compass rose, and a compass-based quote from a significant historical artist. ""Compass was created for ""earth/science/art,"" an exhibition conceptualized by Lisa Hochstein based on collaborative pairings of USGS scientists from the Pacific Science Center in Santa Cruz, California, and Bay Area artists. I was paired with coastal geologist and mapmaker Ann Gibbs."" Quotations from William Blake, Leonardo da Vinci, Vincent van Gogh, Michelangelo. Conscience is a man's compass ~Van Gogh Nanette Wylde, earth*science*art www.earthscienceartsc.com : ""When Ann Gibbs and I met she told me she was a mapmaker. I am a lifelong fan of maps in all of their many forms so this totally delighted me. I even distinctly remember learning to read and make maps in elementary school. It was serendipity that I had given a group of my students a conceptual focus of mapping and cartography this term. So maps, mapping and mapmaking have been in my mind these past three months. ""Ann was very generous in sharing imagery, notes and text from her research—so much so that it was daunting to know where to start. Her photographs of the Alaskan coastline were so beautiful and mesmerizing in themselves that I didn’t feel I could touch them. ""I am currently working on three projects for earth•science•art. The first and almost completed is 'Compass.' This work is being realized as a flexagon, which is a folding—or perhaps an unfolding—book structure. On each of the four faces is a cardinal direction, layered with an image of a compass rose, and a compass-based quote."" &lt;a href="http://www.vampandtramp.com/finepress/h/Hunger-Button-Books.html"&gt;http://www.vampandtramp.com/finepress/h/Hunger-Button-Books.html&lt;/a&gt;"</text>
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                <text>Scope and Images from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/h/Hunger-Button-Books.html"&gt;http://www.vampandtramp.com/finepress/h/Hunger-Button-Books.html&lt;/a&gt;</text>
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