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                <text>"Johanna Drucker, The Next Word: ""The pages of [High Tension] are cut at the edge in that triangular shape. It's about anxiety, and it pricks your fingers as you turn the pages."" Renee Riese Hubert &amp;amp; Judd D. Hubert, The Cutting Edge of Reading: Artists' Books: ""[High Tension] overwhelms us with a surprisingly varied profusion of images. Each of the many double pages introduces at least one radically new picture having more often than not merely a marginal relationship with those that had preceded. We must process these words somewhat gingerly in terms of our own past experiences when immediate recognition fails. It would therefore appear that unpredictability characterizes the selection and succession of the graphics. Each new image has its own motif and its own color scheme. Dealing in its own way with representation, it imposes its own focus and its own scale to which the reader must adapt. Thus, each turning of a page practically guarantees a further disruption and reduces any hope that we may have entertained of discovering either a formal or a thematic continuity. Instead, it calls forth unsuspected resources within us. Surprise follows surprise without affording a moment of relaxation. Each page relentlessly renews the shock of novelty, but in so titillating a manner that we must dwell on each image without any desire to skip. The artist has of course abandoned or deliberately misapplied expected formats. The pages may overlap, but they never coincide with one another. Deviation happens on two levels: each page slants diagonally and, when turned, symmetrically prolongs across the gutter the preceding one. Thus, two successive pages point in opposite directions while jointly providing a partially coherent and integrated image — partially, because fragments of images from other double pages show a propensity to migrate or, if we may use a medical term in describing a pictorial and psychological venture, metastasize. As we move along, we can hardly avoid twisting and turning the book around for successive viewings of the double paged pictures. Obviously, we can no longer rely on the measured progress so characteristic of reading. Moreover, the angularity of the pages greatly increases the nervous energy of their graphic and verbal content. ...""&lt;a href="http://www.vampandtramp.com/finepress/s/spaceheater-editions.html"&gt; http://www.vampandtramp.com/finepress/s/spaceheater-editions.html&lt;/a&gt;"</text>
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                <text>"5.5 x 7.9""; 96 pages. Pentagon with 4"" spine and each of the other sides 4.25"". Unmatched irregularly cut pages. Offset printed.&#13;
&#13;
Denison's copy is signed by the artist."</text>
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                <text>"Philip Zimmermann: The narrative line of this book uses a combination of photoimagery and text to show the fear, fury and exasperations of life in and around Mexican border towns (but especially Ciudad Juarez) in these times of narco-terrorism. I used to live across from the border from Juarez, went there all the time, and I know it well. The images are photographs that are a combination of my photographs and Mexican police photos. The narrative text is Leon de la Rosa’s stream of consciousness of his life in the northern border towns of Mexico. The ‘spanglish’ text written by a Mexican national from Ciudad Juarez, León de la Rosa. Using a collaborative hybrid of both text and imagery, we sought to get the emotional tenor and frustration of this border life across to a broad audience of both English and Spanish speakers. With the exception of the bright green end sheets, the entire interior of the book is submerged in a blood red, with the text dropped out to white. Green, red and white are the colors of the Mexican flag. The images printed in black enlarged halftone are photos that have the look and rawness of coming from tabloid or popular cheap newspapers. The exterior edges of the text block are black. This artists’ book has been gestating for about ten years, and in 2012, I finally found a sympathetic and authentic collaborating writer for the voice of the text, There are very few collaborative works like this about the current drug wars, that I know of, especially ones that combine the voices of US and Mexican artists. Years ago when I was living near El Paso, across from Ciudad Juarez, I had the idea of using the word ojalá (the spanish expression for “I wish it were so”) in a book in a chant-like repeated way, describing the indignities of the innocents in the border towns of Northern Mexico. I had problems developing the text for this in a voice that was authentic, so I put the book on the back burner. I asked León de la Rosa if he would agree to collaborate on the book about his experience living in Juarez during the narco-traffic wars, and he agreed. I have been collecting the visual images for this book for 10 years. It is a combination of my photos (80%) and Mexican police photos (20%) that I have been saving. The implementation and treatment of these images in book form are atypical but are from real experienced life, not fiction, and we feel that the book has a striking look and feel to it that extends throughout the book from cover to the all red pages and black edges of the book block itself. Although Leon’s voice is of someone living on the Mexican side, specifically Ciudad Juarez, the most dangerous city in Mexico, the book gives us a glimpse of the rage and frustration of those that live throughout Mexico. We on the Northern side of the border, are part of the problem, creating the huge demand for the drugs and sending back the money that have so corrupted those in power and the guns that have done so much violence and damage. It is really important for us to feel the pain of those who have to live daily in the communities terrorized by the narcos and the various cartels. Leon de la Rosa, my collaborator on the text, teaches at Universidad Autonoma de Juarez. His voice powerfully articulates the message of the book. He is a current Phd. student here at the University of Arizona, on leave from his teaching position at the Universidad Autonoma de Juarez. &lt;a href="http://spaceheat.com/books/ojala"&gt;http://spaceheat.com/books/ojala"&lt;/a&gt;</text>
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                <text>Denison's copy is no. 81 of 150 and is signed by Philip Zimmermann.</text>
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            <name>Title</name>
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                <text>Sanctus Sonorensis</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Studio Arts, Latin American and Caribbean Studies</text>
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            <description>An account of the resource</description>
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                <text>"Philipip Zimmermann: ""Four-color offset lithography printed book was created as a series of two page board book spreads that minimize the visual distraction of a 'gutter' on the panoramic view of each skyscape. The edges of the book are rounded and gilded in the fashion of religious breviaries or missals. ""This is a book of border beatitudes. This work comments on the complicated attitudes of Americans on illegal immigration from Mexico. The cover shows a photograph of the area of Southern Arizona which is the most active in terms of migration across the Sonoran desert, and where thousands have lost their lives in the deadly desert heat. The interior pages show the progression of a typical high desert day from dawn to sunset with a single line of text on each two page spread."" Zimmermann (Blog), March 8, 2010: ""In December of 2002, I was driving back into the United States from Mexico through the Lukeville border road entrance. As I was traveling through the Organ Pipe Cactus National Monument just inside Arizona, I was stopped for a couple of hours by several groups of men each consisting of large number of heavily armed Border Patrol agents on some sort of special operations. They eventually lead out of the desert scrub a large number of illegal immigrants that had been hiding in the mesquite and cactus as they attempted to head north through the park. They clearly weren't drug smugglers. They looked too poor and were unarmed. They made for a rather moving and pathetic sight, and looked disheveled and dejected. I had never seen an operation like this up close and it was rather upsetting, and got me thinking about the life these folks were trying to make for themselves and the efforts that we in the United States make to prevent them from coming here. Sanctus Sonorensis was a work that came out of this experience."" CJ Mace, review, JAB 27: ""With gold-edged pages and title referring directly to a hymn of the Christian liturgy, Philip Zimmermann's book 'Sanctus Sonorensis,' is clear about its associations with the messages within gilded bibles. The main contrast between the structure of these books and Zimmermann's is the weight of the individual pages; while the pages of missals often rattle and are tissue paper-thin, the board-book structure of 'Sanctus Sonorensis' allows for the page and binding to merge into a seamless unit, and the pages turn silently. This silence suggests reverence and the apparent starkness of the Sonoran desert that forms the background photography, a landscape where light becomes sound in a sort of synesthetic radiance. ...""-- &lt;a href="http://www.vampandtramp.com/finepress/s/spaceheater-editions.html"&gt;http://www.vampandtramp.com/finepress/s/spaceheater-editions.html"&lt;/a&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Zimmermann, Philip</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3586">
                <text>Spaceheater Editions</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3587">
                <text>2006-2009</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3588">
                <text>Scope, Physical Description, and Image from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/s/spaceheater-editions.html"&gt;http://www.vampandtramp.com/finepress/s/spaceheater-editions.html&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>8.25 x 10.75 x 1.5"; 90 pages. Four-color offset lithography. Gilded edges. Self-covering. </text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="3590">
                <text>English</text>
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              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Artist's Book Counting in Spanish spread open </text>
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              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>Front cover of Artist's Book Counting in Spanish </text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="798">
                  <text>Artists' Books</text>
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      <name>Artists' Books</name>
      <description/>
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          <name>Barcode</name>
          <description>local library barcode</description>
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              <text>35108007121791</text>
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        </element>
        <element elementId="53">
          <name>Location and Call Number</name>
          <description>location and call number</description>
          <elementTextContainer>
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              <text>DEN Spec Coll N7433.4.Z94 .C68 1991</text>
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          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Library catalog URL</name>
          <description>URL link to the library's catalog record</description>
          <elementTextContainer>
            <elementText elementTextId="3605">
              <text>&lt;a href="https://primo.denison.edu/permalink/01OHIOLINK_DENISON/1jlgpk8/alma991031720469708509"&gt;https://primo.denison.edu/permalink/01OHIOLINK_DENISON/1jlgpk8/alma991031720469708509&lt;/a&gt;</text>
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        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3594">
                <text>Counting in Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3595">
                <text>Spanish, Studio Arts</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3596">
                <text>Pamela Zwehl-Burke: "On a trip to Maneadero, on the coast of Mexico just past tourist country, the sea tossed groups of objects on the glittering sand, often as if in numbered sets for teaching. I'm still learning, as I have dear friends and a son-in-law and a daughter-in-law whose first language is Spanish." &lt;a href="http://www.vampandtramp.com/finepress/z/Pamela-Zwehl-Burke.html"&gt;http://www.vampandtramp.com/finepress/z/Pamela-Zwehl-Burke.html&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3597">
                <text>Zwehl-Burke, Pamela</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3598">
                <text>Pamela Zwehl-Burke</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3599">
                <text>1991</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3600">
                <text>Scope and Images from Vamp and Tramp &lt;a href="http://www.vampandtramp.com/finepress/z/Pamela-Zwehl-Burke.html"&gt;http://www.vampandtramp.com/finepress/z/Pamela-Zwehl-Burke.html&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3601">
                <text>"10 pages: illustrations (chiefly photographs); 14 cm.&#13;
&#13;
Edition of 10. Vertical concertina. Snapshots, enhanced with sand and gold leaf, enclosed in a clear plastic accordion folder"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3602">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="795">
                  <text>Medieval Manuscript Leaves</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="796">
                  <text>medieval manuscripts</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="797">
                  <text>Denison University Archives &amp; Special Collections holds 72 medieval manuscript leaves that date between **** and ****. Medieval is defined by the time period of ****-****. Manuscript is defined by the object being handwritten rather than printed.  A leaf is defined as being a single page out of a book, also sometimes called a folio.</text>
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      <name>Medieval manuscript leaf</name>
      <description>A single, loose, handwritten leaf taken from a book that was created during the medieval time period up to the early 16th century.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>E0100 Leaf from an Italian Pocket Bible</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Bible</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Bible from which this loose leaf has been taken was created nearly 750 years ago. The vellum is especially thin and the script is exceptionally small (probably written with a raven's feather), making it a remarkable scribal accomplishment. Denison also owns another leaf from this same source manuscript, located in the &lt;em&gt;Fifty Leaves from Medieval Manuscripts&lt;/em&gt; portfolio box, item 11.&amp;nbsp; The text here is Leviticus 23-25.</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="4">
                <text>Italian Pocket Bible circa 1275</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>circa 1275</text>
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            </elementTextContainer>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="6">
                <text>Donated to Denison University Archives and Special Collections by Dr. Fred Porcheddu-Engel on October 30, 2015</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7">
                <text>Item in public domain.  Description provided by Dr. Fred Porcheddu-Engel.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="8">
                <text>Gwara handlist #11</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9">
                <text>300 dpi, JPEG file; 198 x 130 mm, written area 131x79 mm, double column, 50 lines, beginning "ie opus facietis meo." Loose.</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10">
                <text>Latin</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="11">
                <text>Medieval manuscript leaf</text>
              </elementText>
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        <name>Ege, Otto F.</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="795">
                  <text>Medieval Manuscript Leaves</text>
                </elementText>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="796">
                  <text>medieval manuscripts</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="797">
                  <text>Denison University Archives &amp; Special Collections holds 72 medieval manuscript leaves that date between **** and ****. Medieval is defined by the time period of ****-****. Manuscript is defined by the object being handwritten rather than printed.  A leaf is defined as being a single page out of a book, also sometimes called a folio.</text>
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      <name>Medieval manuscript leaf</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>E0101 Leaf from an Italian copy of Thomas Aquinas' &lt;em&gt;Commentary on the Sentences of Peter Lombard&lt;/em&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="15">
                <text>Denison already owns a leaf from this same source manuscript (&lt;em&gt;Fifty Leaves from Medieval Manuscripts,&amp;nbsp;&lt;/em&gt;item 40).&amp;nbsp; Other loose leaves are owned by the University of Minnesota, Fordham University, Smith College, Oberlin College, the Rhode Island School of Design, Winthrop University, and the University of Utah.&amp;nbsp; Of special note are the tape remnants, which suggest this leaf has been removed from one of Ege's red-lined mats.</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>circa 1475</text>
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            <description>A related resource</description>
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                <text>Gwara handlist #40</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="18">
                <text>Italian copy of Thomas Aquinas' Commentary on the Sentences of Peter Lombard circa 1475</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Donated to Denison University Archives and Special Collections by Dr. Fred Porcheddu-Engel on October 30, 2015</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21">
                <text>300 dpi, JPEG file. 288x210 mm, written area 178x130 mm.  Double column, 37 lines, beginning "-erit eternitas ut dicit Boetius." Loose.</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>Latin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23">
                <text>Medieval manuscript leaf</text>
              </elementText>
            </elementTextContainer>
          </element>
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                <text>Item in public domain.  Description provided by Dr. Fred Porcheddu-Engel.</text>
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                  <text>Denison University Archives &amp; Special Collections holds 72 medieval manuscript leaves that date between **** and ****. Medieval is defined by the time period of ****-****. Manuscript is defined by the object being handwritten rather than printed.  A leaf is defined as being a single page out of a book, also sometimes called a folio.</text>
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                <text>Psalter, hymnal</text>
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                <text>Denison already owns a leaf from this same source manuscript (&lt;em&gt;Fifty Leaves from Medieval Manuscripts&lt;/em&gt; portfolio box, item 32). Other leaves from the same source manuscript are owned by the University of Texas at Austin, the Franciscan University of Steubenville, and the University of Illinois.&amp;nbsp; Unlike the leaves chose for inclusion in his boxed portfolios, this leaf does not contain musical notation-a glimpse into the method through which Ege selected his sale materials.</text>
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                <text>circa 1450-75</text>
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                <text>300 dpi, JPEG file. 264X198 mm, written area 170X122mm.  SIngle column, 20 lines, beginning "-lum deducet inimicos nostros." </text>
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            <description>A language of the resource</description>
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                <text>Latin</text>
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                <text>Medieval manuscript leaf</text>
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                <text>Florentine Psalter and Hymnal</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Donated to Denison University Archives and Special Collections by Dr. Fred Porcheddu-Engel on October 30, 2015.&#13;
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                <text>Item in public domain. Description provided by Dr. Fred Porcheddu-Engel.</text>
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                  <text>Denison University Archives &amp; Special Collections holds 72 medieval manuscript leaves that date between **** and ****. Medieval is defined by the time period of ****-****. Manuscript is defined by the object being handwritten rather than printed.  A leaf is defined as being a single page out of a book, also sometimes called a folio.</text>
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                <text>This leaf is from one of the smallest manuscripts Ege ever owned: a personal prayer book designed to be carried in a dress pocket.  Only three other specimens are known to exist, in the collections of Samford University, Dartmouth College, and the Lima (OH) Public Library.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Item in in public domain.  Description provided by Dr. Fred Porcheddu-Engel.</text>
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                <text>300 dpi, JPEG file. 96x89 mm, written area 54x42 mm.  SIngle column, 10 lines, beginning "habitabis &amp; semen." </text>
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                <text>Italian Book of Hours</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Donated to Denison University Archives and Special Collections by Dr. Fred Porcheddu-Engel on October 30, 2015</text>
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                <text>This leaf comes from the very first medieval manuscript Otto Ege ever owned; he bought it in Philadelphia in 1911 when he was 23 years old.  Denison already owns another leaf from the manuscript (shelfmark Z109.O74, leaf 4); others are owned by Binghamton University, the University of Colorado, the Cleveland Public Library, Oberlin College, the Reading (PA) Public Museum, and the Toledo Museum of Art</text>
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                <text>Donated to Denison University Archives and Special Collections by Dr. Fred Porcheddu-Engel on October 30, 2015</text>
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                <text>Item in public domain.  Description provided by Dr. Fred Porcheddu-Engel.</text>
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                <text>Gwara handlist #80</text>
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                <text>300 dpi, JPEG file, 147x95 mm, written area 84x55 mm.  Single column, 15 lines, beginning "te propiciatio est." Loose.</text>
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